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Classical Voice North America
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Around the U.S.
Opera Artists, Critics Peer Into The Future: Watch Now Via Zoom
Countering Pandemic, SFSO Elaborates Its SoundBox Digital Fare
Social Justice And Virus Drive Innovative Opera At Prototype Festival
Florida Orchestra Tunes Up Season At Soccer Pitch
Composer Voices Optimism In Time Of Racial Distress
Canada
Montreal Looking. Conductor Arrives, Ready But Rough
‘Turandot’ Frocked In Minimal Look: Near Nothingness
Under Fresh Sail, ‘Flying Dutchman’ Displays A Heart
Crusader, Curator: Attuned Composer Reaches Milestone
Wacky Yet Morbid ‘Ghost Opera’ With Cast Of Puppets
World
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Singing In Mandarin, Or A Vocalist’s Guidebook To Minefield Survival
Out of ‘Thin Air’ Came Rich, Fresh World Of Musical Connections
Sayonara, Baby: ‘Götterdämmerung’ Outwits The Virus
Berliners Dance With Acoustics At Elbphilharmonie
Digital
Virtuosity Rekindled: Neglected Pianists Blaze Anew On CDs
Brisk Beethoven Ninth By Honeck, Pittsburgh Goes To Spiritual Core
Blue Heron Explores French Secular Songs From The 15th Century
Sans Celluloid: Bernard Herrmann As A Radio Artist
Isolation, Anxiety: Pandemic In Music For Soulful Voices
Perspectives
Alone With Stravinsky: In His Closing Silence, Echo Of ‘Sacre’ Raged
Chamber Music Series Casts Revelatory Light On Black Composers
Seeking Humanity Amid Operas That Wax Humanitarian
Koh Caps Her Bach Project With Links To Berio, Harbison
Found Eloquence: 4’33” Of A Thing In Overabundance
Our Critics’ Picks
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
Critics’ Choice: Video Treasures Historic And Novel
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Muti, Chicago SO Select Jessie Montgomery As Composer In Residence
April 20, 2021
Max Steiner: Enduring Master Of Movie Music In Hollywood’s Heyday
April 18, 2021
Crossover Song Cycle Dresses Sacred Harp Legacy In New Threads
April 16, 2021
At Critics’ Webinar, Opera Creators Voice Hope For New Works
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Nancy Malitz
on
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Murray Aronson
on
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Hugh Robertson
on
Immersion Affirms Japan’s Claim To Great Orchestras
Chris Grimm
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A Shed Shimmers In Verdi Requiem With Film Gloss
Brian Davies
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A Shed Shimmers In Verdi Requiem With Film Gloss
Janos Gereben
on
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
James Jorden
on
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
Susan Brodie
on
Puccini’s Heroine As Dancer Adrift In German Staging
Sol Gittleman
on
PBS Begins Lively Jaunt Through Music And Culture
ken vermes
on
PBS Begins Lively Jaunt Through Music And Culture
C crawford
on
‘Billy Budd’ Swells SF Opera Sails In Billowing Triumph
Anahita Abbasi
on
ICE Celebrates Gifts Of Iranian Female Composers
Arthur Kaptainis
on
To Finish Or Not? Bruckner’s Ninth Gets New Readings
MWnyc
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Lang’s ‘prisoner:’ Freedom Chained In ‘Fidelio’s’ Prism
David Shengold
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Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ellen Bacon
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Robust Americana: Hampson Explores Chicago Art Song
Arthur Kaptainis
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Yuja Wang Unveils Diabolical Adams Piano Concerto
Michael Fine
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A Bouquet Of New Discs From Utah And Pacific Coast
Jonathan Degann
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Philip Glass’ New Bowie Symphony Mismatches Styles
Arthur Kaptainis
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Bernstein Videos: Eloquent ‘Tristan,’ Rollicking Haydn
Beverly Bullock
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Yannick Salvages Met’s Garish New Take On ‘Traviata’
Arthur Kaptainis
on
A Musical Mystery: Beethoven’s ‘Lost’ Tenth Symphony
Dennis Wentz
on
Whimsy Wields Sharp Sword In Mixed ‘Siegfried’
ALAN Cohen
on
Tireless Trotters, Mariinsky Shines In Stravinsky Bill
Editor
on
Muhly’s ‘Marnie:’ Fresh, Fascinating Despite Its Flaws
Ron Pollard
on
Muhly’s ‘Marnie:’ Fresh, Fascinating Despite Its Flaws
Beverly Bullock
on
Gardiner Relishes Berlioz’s Riotous Sonic Creativity
Frederick Smith Jr
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Monterey Jazz Salutes The Year Of The Woman
Robert Wesley Mason
on
‘Rocking Horse’ Is Thrilling Winner At Opera Saratoga
t bell
on
Extra! Breaking News Adds Fizz To Rare Rossini Opus
Mike Lang
on
Unreleased Coltrane CDs Stir Up The Jazz World – Again
ARLENE SIDARIS
on
A Ravishing Rarity By Schumann Ends The LA Phil Season
fildivoce
on
Burning With Love And Fear Among The Tumbleweed
nimitta
on
Kissin Takes Up The ‘Hammerklavier’ And Hits The Road
David Shengold
on
Plot Needs Work, But Montemezzi’s Golden Oldie Sings
Peter Bogdanoff
on
Mahler As Video: High-Tech Gilding Of ‘Das Lied’s’ Lily
Karen
on
Hertzberg Wins New Opera Honor For ‘Wake World’
Arthur Kaptainis
on
Handel’s ‘Rinaldo,’ In Concert, Lights Musical Invention
Rodney Punt
on
Tilson Thomas Masterminds Bold New Work Menu
Rodney Punt
on
Bernstein’s ‘Mass’: Passion Affirmed, If Not Relevance
Sheila Swartzman
on
For Beleaguered San Antonio SO, Hope In A Restart
Jim Berg
on
For Beleaguered San Antonio SO, Hope In A Restart
Taddy McAllister
on
For Beleaguered San Antonio SO, Hope In A Restart
John Koshak
on
Pair Of California ‘Candide’s Prove No Two Are Alike
Rowna sutin
on
New ‘Tosca’ Launch At Met Survives Sweeping Exodus
Annie Flanders
on
Seattle’s Maestro Designate Intends To Stir Repertoire
Dr. Suzanne M. Steele
on
Solemn Memorial Concert Reflects Afghanistan War
Randolph Roller
on
‘Ring’ At Midpoint: Love Is Reflected In A Harsh Mirror
Douglas Kurz
on
Trifonov Explores Facets, Echoes Of Chopin For Tour
Alex
on
‘Monteverdi 450’: Superlative Music, Gripping Theater
Rodney Punt
on
Muti/Chicago Play it Safe with All-Brahms at Disney Hall
Susan B
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Andrew J Adler
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Shaun
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Paul J Stanbery
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Jennifer Thomas
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Ann
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Nancy Malitz
on
New ‘Norma’ Surges With Star Power, But Lighting’s Dim
Matthew Gurewitsch
on
New ‘Norma’ Surges With Star Power, But Lighting’s Dim
David B
on
Puccini’s Western Finds Comfy Home At City Opera
KEIKOBAD
on
In ‘Meistersinger,’ Bayreuth Fest Has Its Prize Winner
Arthur Kaptainis
on
Musical Marathon: Intrepid Piano Duo Distills Mahler Six
maria Lentz
on
In ‘Meistersinger,’ Bayreuth Fest Has Its Prize Winner
Rodney Punt
on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Rodney Punt
on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Luba Horvath
on
Vivid, Theatrical ‘St. John Passion’ Keys Bach Festival
Hampton Bumgarner
on
Desert Chorale Sparkles In Trek Back Across Time
Jane Brockman
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It’s A Hit!
Vincent Lombardo
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SF Symphony Goes Multimedia With ‘Klagende Lied’
Bill Robinson
on
When New Music, Criticism Flowed From Same Pens
Melinda Sullivan
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Campra’s ‘Carnaval’ Is A Musical Circus On Teeming Stage
robert
on
In Wang’s Bartók, An Entrée In Need Of More Seasoning
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on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Stephen Cohn
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Power Of Berlioz Requiem Endures In Dutoit’s Hands
Laura Kennelly
on
Mist, Mystery And Magic In Colorful, Soft-Edged ‘Pelléas’
Laura Kennelly
on
Mist, Mystery And Magic In Colorful, Soft-Edged ‘Pelléas’
Ann
on
Trifonov Takes A Breather On The Fast Track
J Grossmann
on
‘Incantesimi’ Plays With Spells, But Magic Is Missing
Laura Mazel
on
Bolcom’s ‘Dinner’: Worst Of Times, But Vibrant Opera
Anon
on
Music From Japan: Sounds Are Novel, Style International
James Jorden
on
New Met ‘Rusalka’ Reflects Tradition In Surreal Images
Arthur Kaptainis
on
Hear, Hear! New Halls Diverge In Acoustic Designs
Laurel McAfee
on
At San Diego SO, An American Fest And Maestro Hunt
Arthur Kaptainis
on
Bruckner 3 Twice With Care, Insight From Nézet-Séguin
Linda Rose
on
Starry Cast Joins Nézet-Séguin In Fast-Paced ‘Figaro’
Sanford Rothenberg
on
‘Guillaume Tell’: Met Brings That Apple To A Vocal Polish
Patrick C Byrne
on
Lackluster Staging Undercuts Strong Singing in ‘Norma’
Dominic Norris
on
Re-issue Of Solti ‘Ring’ Affirms It’s Still Benchmark
Dennis Ramos
on
Wry Spirit Rules As Chicago Lyric Launches Its ‘Ring’
Louis Levesque
on
Nézet-Séguin Triumphant In Montreal Return
David Shengold
on
Phyllis Curtin’s Vocal Wisdom Was 50 Summers’ Fruit
Martin Bernheimer
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Dausgaard Makes Fervent Case For Mahler-Cooke 10th
Johanna
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Johanna
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Lindsay Shields
on
Montana Grandeur Cues Harmony Of Music, Sculpture
James Dick
on
At Round Top Fest, Youth And A Guru Forever Young
Rodney Punt
on
Get Cool, Dude: LA Phil’s Hip Boss Savors Bernstein
Marie Wadden
on
In Newfoundland, An Opera Honors Regiment of WWI
Constant Listener
on
MTT Revisits Das Lied Von Der Erde – This Time With A Mezzo
Rodney Punt
on
Women Composers Reign At Subdued 70th Ojai Festival
Rodney Punt
on
Women Composers Reign At Subdued 70th Ojai Festival
William Delia
on
Nelsons, BSO Tap Soulful Depths Of Shostakovich 10th
Stephen Cohn
on
Women Composers Reign At Subdued 70th Ojai Festival
desiree mays
on
Women Composers Reign At Subdued 70th Ojai Festival
Bob G
on
Canada Tempest: Debating Critic’s Role In Our Time
Tyran Grillo
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Laura Kennelly
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Jason Victor Serinus
on
Canada Tempest: Debating Critic’s Role In Our Time
Balancement
on
Canada Tempest: Debating Critic’s Role In Our Time
Mary Elizabeth Nordstrom
on
Coming Events: American Masters Key Festival Fare
Richard Kroner
on
At Age 92, Pressler Remains A Wizard In Magical Recital
Jackie Lockwood
on
Mollicone-Harnick One-Act Opera Salutes Lady Bird
jack
on
Rihm’s Thorny Concerto Leaves Listener In Lurch
jack
on
Rihm’s Thorny Concerto Leaves Listener In Lurch
Mike Painter
on
Encounter In Cage: Kraft’s Ambitious Timpani Concerto
Kjersti Durow
on
Eclectic Fest By The Neckar, From Brahms To Jazz
Malcolm Blair
on
Coming Events: 88 Keys Are Champs At Gilmore Festival
Charles Downey
on
Bavarian Radio SO Opens Tour With Korngold, Mahler
Alan Karnovitz
on
Bavarian Radio SO Opens Tour With Korngold, Mahler
Peter
on
‘Tristan und Isolde’ As Stark Love In Repressive Times
Jason Victor Serinus
on
Smart New Spaces Open At SF Opera And Chapman U
Douglas Clark
on
‘Tristan und Isolde’ As Stark Love In Repressive Times
Earl Love
on
‘Legnano’ And ‘Aida’ Grandly Complete Verdi In Sarasota
Woodruff C.O. Lockouts
on
Lockout Memories Fade As Atlanta Looks To Future
Rodney Punt
on
Font Of Lyricism Flows Again In New Floyd Opera
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Graham Johnson in London, Engalnd
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Stephen Cohn
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Douglas Griffeth
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Mark Pullinger
on
‘Eugene Onegin’ By The Book, But As Pastoral Romance
Earl Love
on
After Too Many Lifetimes, A Life Hollowed Out
Aldika
on
Ruptures, Restarts At German Festival Where New Reigns
Bjorn
on
Pull Up A Chair at the Valley Performing Arts Center
Carolyn Shuster Fournier
on
‘The Pearl Fishers’ Casts Impressive Net At The Met
Leslie
on
‘The Pearl Fishers’ Casts Impressive Net At The Met
Laurent Brooks
on
‘The Pearl Fishers’ Casts Impressive Net At The Met
Rodney Punt
on
The Chairman Turns 100
Rodney Punt
on
The Chairman Turns 100
Mark Stenroos
on
Vinyl LP Revival: Sonic Gold From Classic Grooves
Rodney Punt
on
Apple Music Test Drive Reveals Classical Quirks
J Know
on
It’s Opera Spoofa In Mash-Up From Heggie, McNally
Rachmananon
on
Tokyo’s Big Eight Orchestras Flash Bigtime Qualities
Somerset Rae
on
‘My Lai’ Monodrama Conjures Horror Of Vietnam Massacre
Izolda
on
Opulent Setting For High-Stakes Quiz Show
Goline Doremus
on
Chicago’s Lyric Casts Opera Lure Via Social Media
Wickie Bowman
on
Cav/Pag Miss/Hit In Met’s Debut Of McVicar Stagings
Nancy Malitz
on
Andrew Patner, Noted Arts Critic, Dies Suddenly
Paul E. Robinson
on
Andrew Patner, Noted Arts Critic, Dies Suddenly
Editor
on
Amid Controversy, Met Affirms Merit Of ‘Klinghoffer’
Mike P
on
Amid Controversy, Met Affirms Merit Of ‘Klinghoffer’
Guytano Parks
on
Piccolo Concerto Takes Soloist To Fetching Heights
Mehdi Hasan
on
New Gilmore Star Blechacz To Join Silver Celebration
Barbara Mouk
on
Forgotten Russian Masterpiece Has Belated Premiere
Stephen H. Owades
on
Bruch’s Oratorio ‘Moses’ Displays Tablets of Cliché
Willard Spiegelman
on
Campus Concerts Rebuff Notion Of Classical Decline
Frito
on
High-Tech Death Is Brave New World Of Machover Opera
Stephen Cohn
on
Suddenly Schubert Is The Song On Everyone’s Lips
Rodney Punt
on
Suddenly Schubert Is The Song On Everyone’s Lips
Rodney Punt
on
Suddenly Schubert Is The Song On Everyone’s Lips
Fernando Marín
on
Suddenly Schubert Is The Song On Everyone’s Lips
Ricardo
on
Wuorinen’s Opera Misses Tenderness Of ‘Brokeback Mtn.’
Rodney Punt
on
Wuorinen’s Opera Misses Tenderness Of ‘Brokeback Mtn.’
Arthur Kaptainis
on
Handel’s ‘Theodora’ Generously Served By Bicket Forces
David Smyth
on
Bassoonist LeClair Brings Back-Bench Favorite To Fore
Somerset Rae
on
Farewell to the great Jim Hall
Kate Cowie
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Jill Strong
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Robert Woodley
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Orrin Howard
on
‘Magic Flute’ Waxes A Bit Too Loony As Silent-Movie Toon
Arthur Kaptainis
on
Maestro Makeover Puts New Face on Florida Orchestras
JoeG
on
LA Phil, Salonen Zap Tradition for Disney Hall Tenth
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